Ceramic works echo emperor's aesthetics
Qing Dynasty ruler played a vital role in artistic excellence by subtly refining production and style, and integrating Western painting techniques, now celebrated in an exhibition in Beijing, Lin Qi reports.
Years ago, the buzzword term "Yongzheng so busy" was invented to echo a pop culture moment in which Emperor Yongzheng of the Qing Dynasty (1644-1911) appeared as the main hero in several period dramas that tell of political battles tinged with love triangles.
The real emperor is indeed viewed as an industrious monarch whose work played a vital role in the successive stability and prosperity which began with the reign of his father Emperor Kangxi, and that continued through his son Qianlong's rule.
Yongzheng's dedication to excellence was exemplified in governance and his patronage of art and aesthetic pursuits he is still known for today. The variety of artworks, particularly ceramics in a range of hues, that decorated his living spaces reflect his aesthetic preferences — delicate and elegant — as the emperor approved, in person, the dimensions, colors and patterns.
