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Artist frames imagination

Fantasy and personal expression combine for a unique approach, Li Yingxue reports.

By Li Yingxue | China Daily | Updated: 2025-06-17 09:15
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Chen Yanran's WaarWorld: Players Series artworks, a crossover collection of sculptures and stylized cartoon-like figures inspired by Liu Cixin's sci-fi novel The Supernova Era. The characters in this series are all teenagers around 13 or 14. With its bold visual style and futuristic narrative, the series merges science fiction and street aesthetics. [Photo provided to China Daily]

"The characters in this series are all teenagers around 13 or 14," Chen says. "That's an age I just came through myself — so it's natural for me to understand and design their emotions and expressions."

Chen's visual language — detailed, strange, and often slightly grotesque — draws from the aesthetics of Japanese manga, French experimental cinema, and her emotional memory. Her work explores recurring themes: identity, embodiment, time and transformation.

"I don't want to define my style with a label," she says. "An artist's work should be fluid. It's that sense of change and movement that allows real innovation to happen."

Chen is part of a rising generation of Chinese artists redefining post-internet visual culture, blending East Asian pop aesthetics with personal mythology and speculative futures.

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