男女羞羞视频在线观看,国产精品黄色免费,麻豆91在线视频,美女被羞羞免费软件下载,国产的一级片,亚洲熟色妇,天天操夜夜摸,一区二区三区在线电影

Breaking traditional barriers

By Chen Nan | China Daily | Updated: 2025-09-23 07:03
Share
Share - WeChat
A scene from the immersive musical Till We Meet Again directed by Li. [Photo provided to China Daily]

The production also pays homage to the distinctive performing styles of Peking Opera's greatest masters, including the Mei school and the Tan school. The cast's performances showcase the rich diversity within the tradition. For example, Zhang Jianfeng, known for his Xi school style, brings a depth and emotional resonance to his performance, while Ma Botong, with his Tan school training, offers sharp, commanding vocals that echo the energy of heroic figures. In contrast, Qiu Shi's Yu school delivery evokes rustic simplicity and graceful dignity.

Among the dan (female) roles, Dou Xiaoxuan's interpretation of the Mei school is regal and dignified, while Wang Qian's performance, with the Zhang school's fluidity and charm, exudes a youthful, playful energy. Zhang Zixi, representing the Cheng school, is captivating, delivering a poignant and subtle performance that evokes sorrow and tenderness.

"Though the basic melodies remain consistent, each school brings a unique flavor to the performance," says Li. "It's a conversation between tradition and innovation. Every performance, every voice, adds a new layer to tradition."

Li's approach hasn't gone unnoticed by younger audiences. Yan Zhenqing has drawn praise from those who may not have normally engaged with Peking Opera.

"I didn't expect to be so moved by it," wrote an audience member on the social media platform, RedNote. "The visuals were stunning, and the story felt so relevant to today. It was like seeing something old but made new again. I could really connect with it."

Another audience member shared: "I always thought traditional Chinese opera was too formal and old-fashioned. But after seeing this production, I realized it's a living art form, and it speaks to my generation, too."

Li, who was introduced to traditional Chinese opera by her family in Linfen, Shanxi province, has been part of the Jingju Theater Company of Beijing since graduating from the National Academy of Chinese Theatre Arts in 2011. When she first began working with the company, the theater had not hired a new director in years. The company was collaborating with famous directors, but Li's breakthrough came when the company's president asked her a pivotal question: "What can you bring to the table to compete with these big-name directors?"

|<< Previous 1 2 3 4 Next   >>|
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 定兴县| 瑞丽市| 镇江市| 娱乐| 进贤县| 金乡县| 西平县| 慈利县| 蒙阴县| 郁南县| 嘉善县| 黄大仙区| 会东县| 佛坪县| 黎平县| 响水县| 屏南县| 克东县| 沈丘县| 平阳县| 庆元县| 时尚| 和田县| 葫芦岛市| 芦山县| 额尔古纳市| 济源市| 达日县| 崇左市| 赤峰市| 边坝县| 潞城市| 中超| 康保县| 嵊泗县| 无棣县| 蒙城县| 阿鲁科尔沁旗| 昭觉县| 海兴县| 浦北县| 镇平县| 黑山县| 米脂县| 蓬安县| 舟山市| 平潭县| 白沙| 黄陵县| 邵东县| 逊克县| 高青县| 普格县| 于田县| 桐庐县| 仁寿县| 永善县| 定安县| 许昌县| 平果县| 越西县| 都江堰市| 岑溪市| 高邮市| 北碚区| 垦利县| 江孜县| 上饶县| 长海县| 米易县| 鹰潭市| 高唐县| 曲阜市| 南川市| 沛县| 新干县| 双辽市| 广宗县| 旬邑县| 茶陵县| 清流县| 峨山|