A mini-boom in the Middle Kingdom

The National Center for the Performing Arts opened its celebration with a concert, conducted by Lorin Maazel, of The Ring Without Words, an 80-minute scale model that took the place of a full Ring that is yet to be staged at NCPA. It revived its much-acclaimed production of Der Fliegender Hollander (The Flying Dutchman) but not Lohengrin. However, it presented a new Walkure in both fully staged and concert versions, the fruit of the China National Opera House though, which a few years ago did Tannhauser.

What's amazing is China National Opera House's insistence on in-house talent only. Its Wagnerian soprano Wang Wei is a true discovery and delight. For Verdi, NCPA is much more generous, offering two new productions, Nabucco and Otello, with Placido Domingo in the title role of Nabucco. On top of it, there was a star-studded Verdi gala to boot.

For the 16th Beijing Music Festival, a special Verdi program includes a concert gala, a multimedia concert of Requiem, semi-staged versions of Rigoletto, Il Trovatore and La Traviata, all with Coro Lirico Veneto and Orchestra Regionale Filamonia Veneta. A co-production of Parsifal by Sachsische Staatsoper Dresden and Teatro Real of Madrid will be presented in Beijing, which is this opera's premiere in China.