The youth sounds out

Met star brings Confucian ideal to recital

Jazzing up Beijing

For this second edition of the competition, organizers started to accept entries in April 2012 and received 61 works by composers younger than 40. After a pre-selection, 24 scores were sent to 10 judges. Then 12 of the 24 were played at formal concerts by the NCPA orchestra and the Beijing Symphony Orchestra. The NCPA also recorded the 12 works and sent them to the jury.

The jury includes composers, conductors and soloists, because Chen Qigang believes each has different views toward a work. Plus, conductors and soloists could do more to promote new works.

To increase the program's international impact and create a worldwide stage for the young composers, the NCPA invited Radio France, Vale of Glamorgan Festival in Wales and MDR Sinfonieorchester Leipzig to join this year's program.

John Metchlf, artistic director of the Vale of Glamorgan Festival, says his event has particular interest in presenting living composers from ancient countries with new energy - like China. He voted for Xiao and will bring his work to the festival in May.

To ensure fair play, the 10 judges did not meet before the final concert on Dec 16.

"No discussions, no suggestions," Chen Qigang says. "We hope everyone will vote from his own heart and not expect to agree with each other. One asked me, if two works got the same score, whether I could decide the winner. I said no. We would vote again."

"Which to choose? It's really difficult," says Paul Meyer, the French clarinetist who served on the jury for the second time. "I try to be open-minded to feel what the score means to me."

French composer Philippe Schoeller, who came to China for the first time to be a juror, says he was impressed by the musical language and the fresh messages in the scores.

"It's not exactly a competition, which is for sports. The program is a way for the young composers to learn, to share knowledge and experience," Schoeller says.

Listen to the works of the winners here

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