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Art attack

By Zhang Kun ( China Daily ) Updated: 2014-01-03 09:08:49

Art attack

Visitors play enthusiastically in the interactive installation by South American artist Leandro Erlich, where a lifesize facade of a shikumenstyle house lies horizontally with a large mirror overhead at the Kerry Center in downtown Shanghai. Photos by Justin Jin / Provided to China Daily

More commercial buildings are seeing the value of art in attracting customers and encouraging a creative, fun space. Zhang Kun looks at some of the buildings that are mixing business with pleasure in Shanghai.

Art attack

Optical illusion art show in Shanghai 

Art attack

Exploring history with 3D painting

Shanghai's luxury shopping malls are no longer satisfied with hanging festive decorations and running sales for promotion and branding. The new hot attraction to lure shoppers is art. Many new malls are reserving prime spaces for art, putting on regular exhibitions and even commissioning works from renowned artists. Real estate developers in China are trying to pair contemporary art with their branding, says Mathieu Borysevicz, a gallery owner and contemporary art curator from the United States based in Shanghai. He was one of four curators who put together an exhibition to celebrate the fifth anniversary of the Shanghai World Financial Center in the heart of the Lujiazui financial area.

Leo Xu, a curator and owner of Leo Xu Projects, has worked with several shopping malls and office buildings in Shanghai, curating art shows and designing art projects.

Xu worked with South American artist Leandro Erlich to present an interactive installation at the Kerry Center in downtown Shanghai's Nanjing West Road in November.

The project consisted of a life-size facade of an authentic shikumen-style terrace house lying horizontally on the ground with a large mirror hung overhead at a 45-degree angle. It encouraged visitors to sit, stand and lie on it, to create a surreal reflection of people climbing or dangling against gravity.

People waited in line to play on Erlich's installation, treating it like a ride at Disneyland. It was so popular that the Kerry Center extended the exhibition by two weeks.

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